Storytelling
WHEN SEEING BECOMES AN ACT OF DEFIANCE
There are moments when a single death feels heavier than death itself—when it becomes a symbol, a question mark burned into the public conscience. The murder of Rene Nicole Good is one of those moments. Not only because a life was taken, but because of what followed: the silence, the distortion, the insistence that we look away from what our own eyes and instincts tell us is wrong.
Authoritarianism does not always arrive in boots and banners. More often, it comes softly, wearing the language of order, safety, and expertise. It asks for trust while dismantling accountability. It does not demand belief outright—it conditions it. It repeats its version of events until exhaustion replaces scrutiny, until doubt feels impolite, even dangerous.
What we should fear is not merely violence, but the erasure that follows it. When a government insists that its narrative supersedes lived reality, it is not asking for agreement—it is rehearsing obedience. “Believe only what we say, not what you see” is not a slogan of democracy; it is the oldest reflex of power afraid of the truth.
The danger is not that lies are told. Lies have always existed. The danger is when lies are institutionalized—when they are delivered with the authority of law, amplified by compliant media, and insulated from challenge by accusations of disloyalty. At that point, truth becomes a subversive act, and memory itself is treated as a threat.
History teaches us that authoritarian systems do not begin by banning speech; they begin by ridiculing it. They do not begin by imprisoning dissenters; they begin by discrediting them. They do not begin by denying reality; they begin by reframing it—selectively, strategically—until reality feels negotiable.
What happened to Rene Nicole Good forces us to confront a harder truth: that citizenship is not a passive status. It is an obligation. A democracy cannot survive on compliance alone; it requires friction. It requires citizens who are willing to sit with discomfort, to ask questions that have no immediate answers, and to resist the seduction of easy narratives.
Resistance does not always look like protest. Sometimes it looks like remembering. Sometimes it looks like refusing to repeat a lie, even when it would be simpler. Sometimes it looks like saying, quietly but firmly, “That is not what I see.”
The strength to resist begins internally. It begins with intellectual humility—the willingness to admit uncertainty—paired with moral courage—the refusal to surrender judgment. Authoritarianism feeds on fear and fatigue. It withers in the presence of clarity and solidarity.
We should fear any government that treats skepticism as betrayal, grief as inconvenience, and truth as a managed resource. But fear alone is not enough. Fear must sharpen resolve, not paralyze it.
A free society is not defined by the absence of power, but by the presence of limits—limits enforced by citizens who understand that democracy is not something handed down, but something held up, daily, by vigilance.
If they want us to believe only what they say and not what we see, then seeing clearly becomes an act of defiance. And remembering—especially those they would rather we forget—becomes an act of justice.
Of Angels, Miracles and Open Hearts – 12/15/25
Threads of a Human Heart
As I prepare for open-heart surgery, I find myself both sobered and profoundly grateful. Reviewing my end-of-life papers has a way of bringing life into sharp focus—each choice, each joy, each person who has walked beside me. What I see, looking back, is not fear or regret, but an extraordinary abundance of blessings.
A beautiful daughter and two wonderful grandsons who fill my life with pride and laughter. Six beloved sisters—ages 72 to 84—still vibrant, still here. In all our years together, we have never allowed a quarrel to wound the bond we share. Ours is a family stitched together with old Italian traditions, music flowing through every gathering, song and laughter rising like prayer.
I have been lifted and sustained by a big, loving, extended family who have stood beside me through every chapter—including the dark ones, when cancer came close but did not claim me.
My life has been shaped and defined by the performing arts. Theater and music are not simply what I do—they are who I am. The thrill of collaboration, the quiet exchange between performer and audience, the alchemy of directing, producing, and coaching—it has all been sacred work.
And beyond the stage, I have found joy and purpose in service: in my church, in my neighborhood, in my art communities, and through years of volunteering—from AIDS Action Committee (1981–1995) to AIDS Worcester, and later at the pediatric oncology hospice with my beloved therapy dog, Ella, for ten precious years.
Who could ask for a more rewarding 40-year career in high tech—traveling the world, experiencing new cultures, learning new languages. Realizing, with every encounter, that our humanness is what binds us. How small this world truly is, and how deep the yearning runs to save each other—and this earth that continues to love us, even when we do not love her back.
So, as I face this next step, I am not afraid. My heart—literally and figuratively—has been full to overflowing. I have lived richly, loved deeply, and been loved in return. For all that I have, and all that I have done, I am profoundly grateful.
Fifty-Five: A Reunion in Real Time (10/17/29 – West Warwick Wizards ’70)
No theme this year—
no paper streamers or borrowed disco balls.
Just the quiet arrival of time,
and all of us,
on time.
More or less.
The name tags are helpful,
but unnecessary.
We know each other
in the way only a certain kind of past allows—
not the facts,
but the essence.
A smile still tilts the same.
A pause still says everything.
We orbit the same stories
with new grace—
less interested in impressing,
more intrigued by remembering.
Not every memory made it,
but the ones that did
have earned the right to be told again.
No one needs to prove a thing.
We’ve all built, lost, learned, changed—
not once,
but many times.
It turns out high school
was just the prologue
and not even the juiciest part.
This isn’t a ceremony,
and it’s not nostalgia.
It’s something better:
a rare moment of agreement
that what we shared still matters,
even if we all remember it
a little differently.
There is elegance in showing up.
There is wit in not pretending.
There is something quietly spectacular
about being in a room
with people who once knew
the earliest versions of you—
and decided to come back anyway.
Here’s to that.
To us.
To now.
Woodstock – August 16
Woodstock
We came barefoot into the fields,
the sky dripping music and rain,
our bodies pressed close in the mud,
hearts warm as the campfires
we believed could burn away
the old world.
We thought love was a weapon
that could dismantle empires,
that every guitar chord
was a law rewritten,
that every sunrise
was the first day of the new earth.
We shouted peace until our throats bled,
until the flags frayed in our hands.
We thought we would inherit
the halls of Congress,
reshape the courts,
turn power into a public trust
for everyone,
not just for a fortunate few.
But the years are long and merciless.
We have lived to see
the gap between mansion and shelter
widen until it swallows the horizon.
Social justice is a banner
faded by wind and rain,
while politics is wielded
for grift,
for empire,
for the quiet corruption
of men in robes and women in power suits
who bow only to the wealthiest one percent.
I still hear the music sometimes,
faint, behind the static.
It smells of wet grass and patchouli,
of hope before the fever broke.
We were so young.
We were so certain.
And now,
the mud has dried to dust.
To The Ones Who Make The Room Glow
Volunteer Appreciation Celebration – The Arctic Playhouse – July 18, 2025
You arrive before the music, before the first note is coaxed
from the keys, before the hush of anticipation settles in the air.
You are already there—with table lights warmed just right,
with places set like quiet invitations, with the kind of presence
that makes strangers feel like they’ve come home.
You do not ask for applause, yet you shape the stage in ways no
spotlight could ever capture. The ambiance breathes because of you—
soft and certain, like a memory we didn’t know we were missing
until we stepped through the door.
Your welcome is not loud, but it is unwavering. It lives in every
poured glass, every offered chair, every thoughtful gesture that
says: “You matter here. We see you. Stay awhile.”
And so, when the music begins—when voices rise and hearts
unfold in songs and stories—know this: what the audience hears
is only part of the performance. The rest of it—the warmth,
the ease, the joy that lingers like candlelight—is your inspiration.
Finally, when the night closes—when sound of the The Rainbow
Connection begins and you all join in, binding every heart in
the room with its quiet truth—it is your kindness that makes
the moment feel less like an ending and more like a promise.
A promise we’ll find each other again, under these lights,
held by this music, in the intimacy you so effortlessly create.
You are the ones who give more than time. You give care.
You give soul. You give The Cabaret Club the magic of being
more than a room. Thank you for making this place not just
somewhere we come to listen, but somewhere we come to
feel known.
Ode to the Stage Manager, Vicki Yates – The Arctic Playhouse, West Warwick, RI
She enters the theater before it can yawn,
With coffee in hand and the ghost light still on.
While actors are stretching or lost in a line,
She’s taping the stage with a grid so divine.
She wrangles the chaos with headset and charm,
Says, “Places!” and suddenly—calm.
She knows every line, every glitch, every cue,
And the prop you forgot way back in Act 2.
She speaks fluent panic, and patience as well,
Can call cues in blackout or handle a yell.
If the set starts to crumble or someone forgets,
She patches it up with dry wit and no sweat.
Her script is a journal, a map, a memoir,
With scribbles and notes like theatrical war.
She’s the first one to laugh, the last one to leave,
The magician who ensures the audience believes.
No spotlight will catch her, with no curtain bow,
But everyone knows she’s the queen of the now.
For the cast and the crew, she’s the heart and the glue,
And the show goes on nightly thanks to what she can do.
For the Hands That Sing
On the 65th Birthday of Jim Rice – Beloved Friend and Maestro 7/11/25
Today, the keys pause for a moment— mid-phrase, mid-feeling—
to tip their hats to the hands that guide them. Today, the
spotlight bends not toward center stage, but to the soul in
the shadows, who lifts every note like a prayer.
You, Jim, the quiet architect of song, the steady breath
beneath the singer’s storm, have given your heart to
hundreds of voices— and in return, we give you ours.
At Club Café, where laughter lingers in chords, and in
The Cabaret Club, at The Arctic Playhouse where warmth
meets your artistic wisdom, you are the spine of every
ballad, the unseen pulse of every encore.
We have watched your fingers teach courage, watched them
sculpt self-doubt into composure. You have accompanied more
than melodies—you have accompanied us, through tears and triumph,
with grace that never asks to be named.
Kindness is your key signature, generosity your tempo. And in a
world too often off-pitch, your presence keeps us in tune.
So on this day—your day, Jim— we celebrate not just your talent,
but your spirit, which plays in us long after the final note fades.
Happy Birthday, Dear Friend. You are the heartbeat of every
performance. You are the thread that weaves the music into magic.
To Fathers — Just As They Are
To Fathers — Just as They Are
On this Father’s Day, we celebrate not only the fathers who stood tall with unwavering strength, but also those who stumbled, struggled, and tried in their own imperfect ways. Fatherhood is not a role marked by flawlessness—it is a deeply human journey, often layered with silence, pride, and quiet love.
Some fathers show their love in embraces and bedtime stories. Others reveal it in fixed cars, paid bills, or in the long hours they worked without complaint. Some may not have always known how to say the right words, or how to be emotionally present, but still hoped to be seen for the person behind the silence.
We honor the fathers who were gentle, who listened, and who offered protection like a shelter in a storm. And we also honor those who were broken in their own ways, who loved imperfectly but loved nonetheless. Their humanity does not diminish their worth—it invites understanding, forgiveness, and a deeper kind of love.
To all fathers, present and absent, praised and misunderstood—you have shaped our stories in ways we are still learning to understand. And today, we thank you. Not for being perfect, but for being real. For showing up however you could. For being part of the complicated, beautiful fabric of who we are.
Happy Father’s Day. – Ida Zecco 6/15/25